Introduction to documentary / (Record no. 43246)

MARC details
000 -LEADER
fixed length control field 02112nam a2200337 i 4500
001 - CONTROL NUMBER
control field 37519
003 - CONTROL NUMBER IDENTIFIER
control field BD-DhAAL
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220113153418.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 210707t2017 inu b s001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2016045756
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780253026347 (cloth : alk. paper)
International Standard Book Number 9780253026859 (pbk. : alk. paper)
Cancelled/invalid ISBN 9780253026903 (ebook)
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency DLC
Description conventions rda
Modifying agency DLC
042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1995.9.D6
Item number N539 2017
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 070.18
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Nichols, Bill,
Dates associated with a name 1942-
9 (RLIN) 41110
245 10 - TITLE STATEMENT
Title Introduction to documentary /
Statement of responsibility, etc Bill Nichols
250 ## - EDITION STATEMENT
Edition statement Third edition.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Bloomington :
Name of publisher, distributor, etc Indiana University Press,
Date of publication, distribution, etc 2017
300 ## - PHYSICAL DESCRIPTION
Extent xvi, 258 pages :
Other physical details illustrations ;
Dimensions 26 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
526 ## - STUDY PROGRAM INFORMATION NOTE
Program name GenED
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Documentary films
General subdivision History and criticism.
9 (RLIN) 41111
852 ## - LOCATION/CALL NUMBER
Location Ayesha Abed Library
Shelving location General Stacks
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date last borrowed Copy number Cost, replacement price Price effective from Koha item type
    Dewey Decimal Classification     Ayesha Abed Library Ayesha Abed Library General Stacks 30/06/2021 Karim International 3090.00 2 6 070.18 NIC 3010037519 04/08/2026 04/08/2026 1 3090.00 30/06/2021 Book