dead bodies that matter Tronicke, Marlena creator text bibliography nyu New York, NY Routledge, Taylor & Francis Group c2018 2018 2018 monographic eng

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207 pages ; 24 cm Shakespeare's Suicides: Dead Bodies That Matter is the first study in Shakespeare criticism to examine the entirety of Shakespeare's dramatic suicides. It addresses all plays featuring suicides and near-suicides in chronological order from Titus Andronicus to Antony and Cleopatra, thus establishing that suicide becomes increasingly pronounced as a vital means of dramatic characterisation. In particular, the book approaches suicide as a gendered phenomenon. By taking into account parameters such as onstage versus offstage deaths, suicide speeches or the explicit denial of final words, as well as settings and weapons, the study scrutinises the ways in which Shakespeare appropriates the convention of suicide and subverts traditional notions of masculine versus feminine deaths. It shows to what extent a gendered approach towards suicide opens up a more nuanced understanding of the correlation between gender and Shakespeare's genres and how, eventually, through their dramatisation of suicide the tragedies query normative gender discourse. Introduction -- Knitting the cord: Titus Andronicus -- Happy daggers: Romeo and Juliet -- Roman fools: Julius Caesar -- Solid flesh: Hamlet -- Before we go: Othello -- Promised ends: King Lear -- Trying the last: Macbeth -- Well done: Antony and Cleopatra -- Epilogue. Marlena Tronicke. Includes bibliographical references (pages 181-200) and index. ENH Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 Suicide in literature Suicide in literature PR2989 .T76 2018 822.33 9780815380443 0815380445 Ayesha Abed Library ERASA 190401 20190401124233.0 34462 eng