02609nam a22003738i 4500999001700000001000600017003000900023005001700032008004100049020002700090020002500117020002500142020002500167020001800192040003300210082001500243100002500258245010600283264003800389300002400427490004600451504005100497520121000548526000801758600006601766600007401832650003501906650004301941650003101984650002002015852004002035942001202075952014802087  c42060d4206036823BD-DhAAL20211123112555.0191226t2019    nyu     ob    001 0 eng d  a9781315588001 (Master)  a9781317118329 (ePub)  a9781317118336 ( Web)  a9781317118312 (Mobi)  z9781472465320  aDLCbengerdacDLCdBD-DhAAL00a822.332231 aNewman, Harry93858610aImpressive Shakespeare :bidentity, authority and the imprint in Shakespearean drama /cHarry Newman. 1aNew York, NY :bRoutledge,c2019.  a199 pages :c24 cm.0 aMaterial readings in early modern culture  aIncludes bibliographical references and index.  a"Impressive Shakespeare reassesses Shakespeare's relationship with 'print culture' in light of his plays' engagement with the language and material culture of three interrelated 'impressing technologies': wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to 'imprint' early modern audiences and readers with ideas, morals and memories, and--looking to our own cultural moment--shows how Shakespeare has been historically constructed as an 'impressive' dramatist. Through material readings of four plays--Coriolanus, A Midsummer Night's Dream, Measure for Measure and The Winter's Tale--Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare's critical afterlife. The book pushes the boundaries of what we understand by 'print culture', and challenges assumptions about the emergence of concepts now central to Shakespeare's perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood"--  aENH10aShakespeare, William,d1564-1616xKnowledgexPrinting.93858710aShakespeare, William,d1564-1616xKnowledgexMaterial culture.938588 0aPrinting in literature.938589 0aMaterial culture in literature.938590 0aEnglish literature.943016 0aEnglish.938591  aAyesha Abed LibrarycGeneral Stacks  2ddccBK  00102ddc4070aBRACULbBRACULcGENd2019-12-17e58g7455.00l1m8o822.33 NEWp3010036823r2023-01-30s2022-09-03t1v7455.00w2019-12-17yBK