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    <title>Introduction to documentary</title>
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    <namePart>Nichols, Bill</namePart>
    <namePart type="date">1942-</namePart>
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    <dateIssued encoding="marc">2017</dateIssued>
    <copyrightDate encoding="marc">2017</copyrightDate>
    <edition>Third edition.</edition>
    <issuance>monographic</issuance>
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    <extent>1 online resource (278 pages) : illustrations.</extent>
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  <tableOfContents>Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.</tableOfContents>
  <note type="statement of responsibility">Bill Nichols.</note>
  <note>Off-Campus Access: Athens ID and Password Required</note>
  <note>On-Campus Access: No User ID or Password Required</note>
  <note>Downloading (Limited)

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• Follow the complete download instructions on the Ebook Central (http://proquest.libguides.com/ebookcentral/download) help pages. </note>
  <note>Includes bibliographical references and index.</note>
  <note>Electronic access restricted to authorized BRAC University faculty, staff and students</note>
  <note>Mode of access: Internet</note>
  <subject authority="lcsh">
    <topic>Documentary films</topic>
    <topic>History and criticism</topic>
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  <classification authority="lcc">PN1995.9.D6 .N539 2017</classification>
  <classification authority="ddc" edition="23">070.18</classification>
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      <edition>Third edition.</edition>
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      <extent>258 pages </extent>
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