01558nam a2200289 i 450000100060000000300090000600500170001500800410003201000170007302000390009002000380012902000260016704000280019304200080022105000270022908200150025610000260027124500480029725000190034526000510036430000460041550400510046150506600051252600100117265000460118285200400122837519BD-DhAAL20220113153418.0210707t2017    inu      b   s001 0 eng    a  2016045756  a9780253026347 (cloth : alk. paper)  a9780253026859 (pbk. : alk. paper)  z9780253026903 (ebook)  aDLCbengcDLCerdadDLC  apcc00aPN1995.9.D6bN539 201700a070.182231 aNichols, Bill,d1942-10aIntroduction to documentary /cBill Nichols  aThird edition.  aBloomington :bIndiana University Press,c2017  axvi, 258 pages :billustrations ;c26 cm.  aIncludes bibliographical references and index.0 aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.  aGenED 0aDocumentary filmsxHistory and criticism.  aAyesha Abed LibrarycGeneral Stacks