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  <titleInfo>
    <title>Japan's carnival war</title>
    <subTitle>mass culture on the home front, 1937-1945</subTitle>
  </titleInfo>
  <titleInfo type="uniform">
    <title>Carnival war</title>
  </titleInfo>
  <name type="personal">
    <namePart>Uchiyama, Benjamin</namePart>
    <namePart type="date">1979-</namePart>
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  <typeOfResource>text</typeOfResource>
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  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Cambridge, United Kingdom</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York, NY</placeTerm>
    </place>
    <publisher>Cambridge University Press</publisher>
    <dateIssued>2020</dateIssued>
    <copyrightDate encoding="marc">2019</copyrightDate>
    <edition>First paperback edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>xii, 280 pages : illustrations ; 23 cm</extent>
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  <abstract>"This book is about the evolution of mass culture into what I term "carnival war" in Japan, reorienting our perspectives on daily life between 1937 and 1945. Although the Asia-Pacific War created the opportunity for the state to expand its control over society, it also fractured Japanese people's sense of identity, which spilled out through a cultural framework which, this book will argue, is best understood as carnival war. Carnival war encompassed both "official" cultural practices shining in the spotlight and "unofficial" cultural practices lurking in the shadows. It requires thinking not only about the activities of official purveyors of entertainment like Kinoshita Circus, but also the "ghetto" circus, the half-man, half-dog circus freaks who echoed, mocked, and inverted the pristine, official national culture the wartime state was trying to build. Second, a study of carnival war examines the unevenness of state attempts to mobilize society for war; the dynamic, improvisational dimension to total war mobilization"--</abstract>
  <tableOfContents>The reporter -- The munitions worker -- The soldier -- The movie star -- The youth aviator -- Gendering carnival war -- Global echoes of carnival war -- The circus freak next to the policeman.</tableOfContents>
  <note type="statement of responsibility">Benjamin Uchiyama, University of Southern California.</note>
  <note>Revision of author's thesis (doctoral)--University of Southern California, 2013, titled Carnival war : a cultural history of wartime Japan, 1937-1945.
First published 2019.</note>
  <note>Includes bibliographical references (pages 263-276) and index.</note>
  <note>AAL</note>
  <subject>
    <geographicCode authority="marcgac">a-ja---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Popular culture</topic>
    <topic>Political aspects</topic>
    <geographic>Japan</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>War and society</topic>
    <geographic>Japan</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Political culture</topic>
    <geographic>Japan</geographic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <geographic>Japan</geographic>
    <topic>Civilization</topic>
    <temporal>1926-1945</temporal>
  </subject>
  <classification authority="lcc">DS822.4 .U25 2019</classification>
  <classification authority="ddc" edition="23">940.5352</classification>
  <identifier type="isbn">9781107186743</identifier>
  <identifier type="isbn"> 9781316637449</identifier>
  <identifier type="lccn">2018061283</identifier>
  <location>
    <physicalLocation>Ayesha Abed Library</physicalLocation>
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    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260607175443.0</recordChangeDate>
    <recordIdentifier source="BD-DhAAL">45853</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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