| 000 | 01733nam a2200253 a 4500 | ||
|---|---|---|---|
| 001 | 311508 | ||
| 008 | 090714s1995 enk b 001 0 eng d | ||
| 010 | _a 73167078 | ||
| 020 | _a0140622908 | ||
| 020 | _a9780140622096 | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 082 | 0 | 0 | _a821/.8/09 |
| 245 | 0 | 0 |
_aVictorian poetry/ _cSelected by Paul Driver. |
| 260 |
_aLondon : _bEdward Arnold, ; _bPenguin Books, _c1995 |
||
| 300 |
_a304 p. ; _c18 cm. |
||
| 490 | 1 |
_aStratford-upon-Avon studies, _v15 |
|
| 504 | _aIncludes bibliographies. | ||
| 505 | 0 | _aGent, M. "To flinch from modern varnish": the appeal of the past to the Victorian imagination.--DeLaura, D. J. Matthew Arnold and the nightmare of history.--Harper, J. W. "Eternity our due": time in the poetry of Robert Browning.--Hunt, J. D. The poetry of distance: Tennyson's Idylls of the King.--Buckley, J. H. Pre-Raphaelite past and present: the poetry of the Rossettis.--Ellison, R. C. "The undying glory of dreams": William Morris and the "Northland of old."--Preyer, R. "The fine delight that fathers thought.": Gerard Manley Hopkins and the Romantic survival.--Goldman, A. The oeuvre takes shape: Yeats early poetry.--Miller, J. H. History as repetition in Thomas Hardy's poetry: the example of "Wessex heights."--Sage, L. Hardy, Yeats, and tradition.--Peckham, M. Afterword: reflections on historical modes in the nineteenth century. | |
| 650 | 0 |
_aEnglish poetry _y19th century _xHistory and criticism. |
|
| 700 | 1 | _aDriver, Paul. | |
| 999 |
_c2408 _d2408 |
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| 952 |
_w2009-07-14 _p3010011855 _r2010-06-29 _40 _00 _bBRACUL _m3 _10 _o821/.8/09 DRI 1996 _d2009-07-14 _t1 _70 _cGEN _2ddc _yBK _s2010-06-09 _l1 _aBRACUL |
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