000			02112nam a2200337 i 4500
999			_c43246 _d43246
001			37519
003			BD-DhAAL
005			20220113153418.0
008			210707t2017 inu b s001 0 eng
010			_a 2016045756
020			_a9780253026347 (cloth : alk. paper)
020			_a9780253026859 (pbk. : alk. paper)
020			_z9780253026903 (ebook)
040			_aDLC _beng _cDLC _erda _dDLC
042			_apcc
050	0	0	_aPN1995.9.D6 _bN539 2017
082	0	0	_a070.18 _223
100	1		_aNichols, Bill, _d1942- _941110
245	1	0	_aIntroduction to documentary / _cBill Nichols
250			_aThird edition.
260			_aBloomington : _bIndiana University Press, _c2017
300			_axvi, 258 pages : _billustrations ; _c26 cm.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
526			_aGenED
650		0	_aDocumentary films _xHistory and criticism. _941111
852			_aAyesha Abed Library _cGeneral Stacks
942			_2ddc _cBK