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008 260606t20182012dcua b f101 0 eng
010 _a 2017055984
020 _a9780300214673
020 _a0300214677
035 _a20165454
040 _aDGPO/DLC
_beng
_erda
_cDGPO
_dDLC
_dBD-DhAAL
042 _apcc
043 _aa-ja---
050 0 0 _aN7353.5
_b.A785 2018
082 0 4 _a759.952
_223
086 0 _aSI 8.2:ED 6
245 0 4 _aThe artist in Edo /
_cedited by Yukio Lippit.
260 _aWashington ;
_aNew Haven ;
_aLondon :
_bNational Gallery of Art ;
_bDistributed by Yale University Press,
_c©2018.
300 _aviii, 295 pages :
_billustrations ;
_c29 cm
490 1 _aStudies in the history of art,
_x0091-7338 ;
_v80
490 1 _aSymposium papers / Center for Advanced Study in the Visual Arts ;
_v57
500 _a"This volume was produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington"--Colophon.
500 _a"Proceedings of the symposium "The Artist in Edo," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, and sponsored by the Anne van Biema Endowment Fund, the Arthur Vining Davis Foundations, the Japan Foundation, and the Starr Foundation. The symposium was held April 13-14, 2012, in Washington"--Colophon.
504 _aIncludes bibliographical references and index.
520 _aDuring the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (c. 1757-1766) in 2012 prompted a reimagining of artists and art making in this context. These essays call attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.--Provided by publisher.
526 8 _aAAL
650 0 _aArt, Japanese
_yEdo period, 1600-1868
_vCongresses.
_961024
650 0 _aArt and society
_zJapan
_xHistory
_vCongresses.
_961025
650 0 _aUkiyoe
_vCongresses.
_961026
651 0 _aJapan
_xSocial life and customs
_y1600-1868
_vCongresses.
_961027
655 7 _aConference papers and proceedings.
700 1 _aLippit, Yukio,
_d1970-
_eeditor.
_961028
710 2 _aCenter for Advanced Study in the Visual Arts (U.S.)
_927151
710 2 _aNational Gallery of Art (U.S.),
_epublisher.
_961029
710 2 _aYale University Press,
_edistributor.
_961030
830 0 _aStudies in the history of art,
_x0091-7338 ;
_v80
_958551
830 0 _aSymposium papers / Center for Advanced Study in the Visual Arts ;
_v57
_961031
852 1 _aAyesha Abed Library
_cGeneral Stacks
942 _2ddc
_cBK
999 _c48024
_d48024